This class will define the “illustrator’s intent” as well as what is meant by composition using examples from throughout the world of art/photography/film and more. Composition will be formally introduced using abstract spatial principles & defining the need for visual context. It will also discuss the tools of visual language and how they form the basis for all composition.

This lecture will introduce the concept of Notan vs. Form and use examples from art history and film to explain how line and mass relate to the story message. It will also continue with the abstract spatial principles already introduced as they relate to line and shape.

This lecture will introduce the topics of focal point, division of space, depth, rhythm, etc. as they relate to overall layout design which includes but is not limited to environment and background design.

This lecture will take the previously discussed topics of focal point, division of space, depth, rhythm, etc., and apply them toward more advanced character-driven compositions that tell a story.

This lecture will take the previously introduced value matrix and expand upon it by focusing on value as a design tool.

The topics of lighting and color will be discussed as additional visual tools in furthering the composition’s story message.

Building on the concepts introduced so far this class will explore how different camera “lenses” can be used for different compositional goals. Perspective concepts will also be discussed as a visual tool for thumbnail exploration.

This lecture will focus on composition as it relates to media not entirely dependent on a single image such as the graphic novel, children’s books, poster art, and other unconventional formats.