Learn to draw a captivating story
This class will help you fall in love with the cinema, if you haven’t already. One of the main reasons we make art is to tell a story and/or to communicate an idea or emotion. However, the power of storytelling is often overlooked. This class will walk you through some of the fundamentals, such as framing and cutting your scenes, as well as ways to transition into the next one. How do we compose a simple dialogue between two characters without it being too boring? What about three? How can we make a fight scene more than just a series of cool moves? How do we overcome the fear of montages? Eventually we will also go over the process for boarding a sequence for a typical TV animated project. Even though the class has an emphasis on the application for animation storyboards, the core knowledge should be applicable to any other types of visual storytelling students may encounter in their future endeavors, such as live action projects, commercials, illustration books, comics, etc. By the end of class, students will be expected to learn how to think like a director of any storytelling project.
Special Discount on Storyboard Pro
As of Fall Term 2023, CGMA students can access educational licenses for Storyboard Pro at a discounted rate of $10.25/month! This rate may only be unlocked inside the virtual classroom, and licenses will remain active for the course duration. Should you have questions regarding this please reach out to registration@cgmasteracademy.com.
Registration Now Open
Registration Period
Jan 31, 2024 -
Apr 22, 2024
Course Start
Apr 14, 2024
Course Format
Standard
Skills Level
Intermediate
Duration
8 weeks
Q&A
Once a week
Feedback
Individual recordings
Lecture Type
Pre-recorded
Assignment
Due each week. Expect to spend 8-10 hrs/wk viewing lectures, Q&A, and time on assignments.
PREREQUISITES
Analytical Figure Drawing and Environment Sketching or Good Drawing Foundations with a stress on character and environment sketching
MATERIALS
Photoshop or Storyboard Pro, Wacom tablet (or equivalent), OR traditional mediums (pen & paper)
The more you know, the better.
Week #1
Introduction
We will start the class by learning the typical pipeline of a film / tv production. The importance of storyboarding, why we do it, and what it is expected to help achieve. Then we will get into some of the basic terminology, and showcase various shots (eg wide shots, medium shots, closeups, extreme closeups) with real examples on the type of drama each shot could provide.
Week #2
Compositions
We will dig into the various shots as discussed in the previous week, as well as ways to help frame our shots to make them more effective. We will go through the rule of thirds, ways to add more depth into their shots, and avoiding jump cuts (or when to do it on purpose in our favor). We will also identify different ways to deal with crowd shots without creating a chaos.
Week #3
Camera Moves & the 180 Degrees Rule
Now that we have a decent vocabulary in the most common shots and camera angles, we will be considering movements in our camera. We will go over some of the basic camera moves (zoom, tilt, dolly, truck in, pan, etc) with real examples of how they are used. Then we will introduce the 180 degrees rule: the importance of it, ways to break it if necessary, and tricks to avoid breaking it by accident.
Week #4
Opening Shots, Framing & Basic Acting
We will look at various creative ways to open a sequence that can help establish the story. Then there will be some additional information and tricks in framing the subjects such as: things to avoid when framing your characters, using light and shadow, and creating balance in your shots.
Week #5
The Anatomy of a Fight Scene (Part 1)
We will go over various fighting sequences and try to analyze how they’re done. How to use the geometry in your advantage, as well as getting into the importance of telling a story through the action sequence, as well as boarding movement. We will also extend our use of framing from the previous weeks and introduce the concept of playing with subjects coming towards or away from the camera for more dynamic movements.
Week #6
Fight Scene (Part 2) & Professional Working Pipeline
In the first half of the class, we’ll look at additional information in composing fight scenes, including analyzing some more complex scenes with more than just two characters. In the second half of the class, we’ll walk through the animation storyboard production pipeline, looking at real examples of what is usually expected at which stage, what the directors’ notes may look like, etc. From this point forward, assignments will try to emulate the professional working pipeline.
Week #7
Songs & Montage
The lecture will focus on analyzing various songs and montage sequences. We will talk about ways to be more creative with transitions and how to add styles. More importantly, emphasizing the storytelling through it all.
Week #8
Additional Information & Final Presentation
We will look at how story artists present their work. There will be a variety of sampled portfolio from cartoony comedy projects to more realistic action boards. The students will get to see different ways they can choose to present their own work in the future. Every way has its own pros and cons too; we will be going over them as well.
STUDENT GALLERY
Igniting your imagination
LECTURES BY
Eugene Huang
Course Start: Apr 14, 2024
Eugene is a Storyboard Artist and Director. He has worked in both comedy and action in animated as well as live action projects since 2015. As much as he loves drawing and painting, the real passion always lies in the problem solving aspect of visual storytelling.
Instructor's Gallery
LECTURES BY
Eugene Huang
Course Start: Apr 14, 2024
Beth Wollman is a Storyboard Artist and Director with 7+ years of experience working in the animation industry. She specializes in Prime Time Comedy, and has worked on a variety of shows for Netflix, Comedy Central, SyFy, Nickelodeon, and Fox.
Instructor's Gallery
PRICING SCHEDULE
Even though our courses are the most affordable for the quality of education, these finance options allow you to focus on your goals instead of the barriers that keep you from reaching them.
3x Payments
$233
2x Payments
$349.50
Full payment
$699
Spring TERM REGISTRATION
Now Open
Jan 31, 2024 -
Apr 22, 2024
COURSE BEGINS on Apr 14, 2024
What makes this learning experience unique?
PERSONALIZED FEEDBACK
Receive personalized feedback on all assignments from the industry’s top professionals.
LIFETIME ACCESS
Enjoy lifetime access to the spectrum of course content, including lectures, live Q&As, and feedback sessions.
CERTIFICATION
Show off your Certification of Completion when you turn in 80% of course assignments.
FLEXIBLE LEARNING
Learn anywhere, anytime, and at your own pace with flexible, online course scheduling.
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